In 2019, Michalopoulos became the first Louisiana-based artist to exhibit during the Venice Biennale, showcasing his work at the European Cultural Centre’s Palazzo Bembo in Venice. The centerpiece of this show was Deliberating Distance—a stunning New Orleans streetscape depicting the city that has long been his muse.
We are excited to offer a limited-edition stone lithograph of Deliberating Distance, created on the same press and using the same techniques employed by Picasso, Toulouse-Lautrec, Dalí, and Manet. This stone lithograph will be the last work printed on this historic press in Paris.
James Michalopoulos, Michalopoulos Greeting Cards
The collection of twenty-four notecards is housed in a special collector’s box.
$25
James Michalopoulos, Trebleable
Oil on Canvas, 40 x 60 in.
$33,333.33
James Michalopoulos, Ernie K Doe'nt
Oil on Canvas, 48 x 24 in.
This work is currently on display at the Jazz Museum in New Orleans as a part of the "From the Fat Man to Mahalia: James Michalopoulos’ Music Paintings at the New Orleans Jazz Museum" Exhibition.
$11,222
James Michalopoulos, On the Fence
Oil on Canvas, 18 x 36 in.
$9,360
James Michalopoulos, Perch Perfect
Oil on Canvas, 72 x 48 in.
$38,525
James Michalopoulos, Que Sharie Sera Study
Oil on Canvas, 36 x 48 in.
$13,999.95
James Michalopoulos, Sever Forever
Oil on Canvas, 48 x 24 in.
$10,900
James Michalopoulos, Spree Toh
Oil on Canvas, 36 x 18 in.
$13,988.88
James Michalopoulos, Sun Space
Oil on Canvas, 24 x 36 in.
$12,168
James Michalopoulos, Sweet Stuff Bubby
Oil on Canvas, 36 x 24 in.
$15,500
James Michalopoulos, Terrelandia
Oil on Canvas, 36 x 24 in.
$11,350
James Michalopoulos, SF 3 Side A Beef
Oil on Canvas, 40 x 40 in.
$9,426
James Michalopoulos, Banks of the Bubbly
Oil on Canvas, 60 x 60 in.
$33,245
James Michalopoulos, Pointless
Oil on Canvas, 22 x 28 in.
$12,500
James Michalopoulos, Masked Marauder
Oil on Canvas, 12 x 12 in.
$3,500
James Michalopoulos, Damsel in Da Dress
Oil on Canvas, 90 x 48 in.
$74,000
James Michalopoulos, Orange Crush or Piece By Piece, Z019
Oil on Canvas, 72 x 48 in.
$43,450
James Michalopoulos, Presplash
39 1/2 x 27 1/2 in.
$11,500
James Michalopoulos, Sprung
Oil on Canvas, 27 1/2 x 19 1/2 in.
$9,000
James Michalopoulos, On se Garresi
Oil on Canvas, 31 1/2 x 39 1/2 in.
$15,750
James Michalopoulos, Seen and Seeing (Mahalia Jackson, Jazz Fest 2003)
Oil on Canvas, 28 x 22 in.
This work is currently on display at the Jazz Museum in New Orleans as a part of the "From the Fat Man to Mahalia: James Michalopoulos’ Music Paintings at the New Orleans Jazz Museum" Exhibition.
$13,500
"Dr. John", 1998
Malcolm John Rebennack, Jr. (better known by his stage name, Dr. John, The Night Tripper) was a singer and songwriter, who is celebrated as one of the main ambassadors of New Orleans funk.
Dr. John started his career in the late 50s, playing gigs around New Orleans and the region. In the 60s and 70s he gained a reputation as a talented session musician, and was part of the famous “Wrecking Crew” in Los Angeles. He played on the Sonny & Cher show, and with numerous musicians such as Eric Clapton, Mick Jagger, Canned Heat and Frank Zappa.
He developed his Dr. John persona in the late 60’s, based on a voodoo conjure man from Senegal who had lived a flamboyant life in New Orleans in the 19th century.
His debut album in 1968 called Gris-Gris, combined New Orleans R&B with psychedelic rock, and him as a unique interpreter of the New Orleans sound. His seminal 1973 album, In the Right Place, produced by Allen Toussaint and featuring The Meters, included two Billboard top 100 singles–In the Right Place, and Such a Night.
His songs have been featured in countless television commercials, shows and movies, and he has performed in festivals and performances all over the world. In 2011 he was inducted in the the Rock & Roll Hall of Fame. He was the winner of six Grammy Awards.
"Louis Armstrong", 2001
Nicknamed "Satchmo," "Pops" and, later, "Ambassador Satch," Louis Armstrong transformed jazz with his improvised trumpet solos and unique vocals. Along with his bands, the Hot Five and Hot Seven, he released some of the most influential records in jazz history. His career lasted 5 decades, from the 1920's to the 1960's.
A New Orleans native. Armstrong grew up in a neighborhood so dangerous it was known as "The Battlefield". He dropped out of school in the fifth grade, and–after being arrested–was sent at age 11 to the Colored Waif's Home for Boys. Despite this inauspicious beginning, he went on to learn how to play the cornet, and earned the notice of Joe "King" Oliver, who invited Armstrong to join his band, both in New Orleans and Chicago. Between 1925-1928 Armstrong and his band released more than 60 records.
By the end of the decade, the popularity of the Hot Fives and Seven bands was enough to send Armstrong back to New York, where he appeared in the popular Broadway revue, "Hot Chocolates," which launched his acting career. He become the first African American to star in a Hollywood film and went on to star in such iconic films as High Society and Pennies from Heaven–both with Bing Crosby, and New Orleans with Billie Holliday.
Throughout his long career he performed and recorded with the jazz greats of the era, including Fletcher Henderson and His Orchestra, Bix Beiderbecke, Bing Crosby, Duke Ellington, Earl Hines, Jimmie Rogers, Bessie Smith and Ella Fitzgerald. He toured extensively, and in 2017, was inducted into the Rhythm & Blues Hall of Fame.
"Mahalia Jackson", 2003
The most spiritual–and spirited–voice of the 20th century belonged to the late, great pioneering interpreter of gospel music, Mahalia Jackson. Choosing the sanctified music of the church over the temptations of R&B, this New Orleans native had a huge impact on an earthly plane: she influenced the rock & roll of Little Richard, launched the career of accompanist Billy Preston, won a Lifetime Achievement Grammy, was inducted into the Rock and Roll Hall of Fame and, against all odds, landed a gospel song on Billboard's Top 100. Her voice rang out at JFK’s inaugural and rallied the 200,000 faithful before Martin Luther King's "I Have a Dream" speech. Hers was a life of passionate commitment, accomplishment and far-reaching beneficent influence.
Courtesy Art4Now
“Rockin’ to New Orleans,” Fats Domino, 2006
If there’s a living symbol of all that makes New Orleans great and unique, it’s Antoine “Fats” Domino. His debut million-selling 1949 single, “The Fat Man” (derived from his nickname) is considered by many to be the first rock & roll record ever. Fats went on to become the second largest-selling rock & roll star of the 50’s and early-60’s, behind only Elvis. He had 35 Top-40 singles from 1955-1963, on his way to selling more than 65 million records.
Courtesy Art4Now
"Toussainctified: Allen Toussaint & The French Quarter", 2009
No matter how much you know about New Orleans’ music, you probably don’t know the half of Allen Toussaint’s central role in crafting and exporting the New Orleans sound from the 1960’s through today. Toussaint’s work includes songs and productions for such well-known New Orleans stars as Irma Thomas, Lee Dorsey, Ernie K-Doe, The Meters, Dr. John, and most other New Orleans singers. In addition, his nearly 800 songs have been covered by a who’s who of rock, R&B and country music: Otis Redding (Pain in My Heart), The Dave Clark Five (I Like It Like That, co-written with Chris Kenner), Boz Scaggs (What do you Want the Girl to Do?), Glen Campbell (Southern Nights), Robert Palmer (Sneakin’ Sally Through the Alley), The Pointer Sisters (Yes We Can Can) and hundreds more by The Rolling Stones, The Who, The Yardbirds, Iron Butterfly, Deco, The Judds and even The Notorious B.I.G. As a producer, Toussaint put together albums for Joe Cocker, Etta James, LaBelle, Ramsey Lewis and Elvis Costello, among many others, arranged horns for The Band on Martin Scorcese’s film The Last Waltz and for Paul Simon on There Goes Rymin’ Simon and played piano on Wing’s Rock Show, which was recorded at his own Sea-Saint Studios. He was inducted into the Rock & Roll Hall of Fame in 1998 and received the Recording Academy Trustees Award at the 2009 Grammys.
Courtesy Art4Now
“Heart Song,” Aaron Neville 2013
James Michalopoulos’ deeply felt portrait distills Aaron’s twin inspirations: New Orleans and spirituality. The city is fully captured by the artist’s distinguished minimalist architectural elements, a wrought iron fence and gas lampposts. Ethereal doves embody spirits set aflutter by an angelic voice. Trees bow in nature’s embrace, and of course, a yellow moon tops the harmoniously lighted dusk scene.
